brother museum-horse gardem

以一位被駐村藝術潛在影響的居民作為可切入的觀感，視他的「裝置」為日常性生活的「消遣展演」，重建在階級中被區分後尋求娛樂的一種出口，我計畫引出以全民的裝置概念的行為模式，相較在百貨公司裡販售的高級模型組裝玩具，人們可以收集日常生活中被忽略的或將被丟棄的各種物件，進行結構修飾與再造，顛覆被刻製的階級。

The friendly relations established with local residents at Treasure Hill transformed photography into something akin to a community service. Taking images of residents building a temple made it possible to establish mutual trust, questioning the need for photography at that time and place.

After their old homes were razed, Treasure Hill residents continued to practice their religious beliefs in their newly built homes. At the same time, it was also decided to establish a museum displaying household decorative items. This series of works explores the interactions between different people and questions how citizen aesthetics are realized. Although photographs serve to record events but in this context it serves as a tool to look in more detail at social structure. This process includes faith and trust, illusion and worship. Given the need to adopt certain methods and an understanding of my own ignorance of the local community, this project is close to my own approach to photography which is to simultaneously trace and break away from the essence of things.